As the audience
enters the theatre, Faustus is already on stage reading.
The entire stage is black except for a carpet. This
is Faustus’s study. Around him books are scattered
over the carpet. The only light that illuminates him
comes from candles arranged at different levels upon
the carpet.
When the audience is in place, the second
actor (who will play Mephistopphilis) enters and crawls
to Faustus. She smells him but can never touch him.
Faustus is oblivious to her existence. She leaves him
and takes her place kneeling to the far right of the
stage and speaks his name. The play immediately springs
into action and Faustus begins his long monologue investigating
all known disciplines of learning.
Faustus’s actions on stage show
that he hears the voice coming from the magic book itself,
as if speaking to him.
Mephistophilis enters immediately, not
calmly and slowly, but in a furious motion, like an
animal about to attack. Faustus cowers before the evil
and protects himself with a knife sprinkled with holy
water.
Circling Faustus, trying to claw him,
searching for weaknesses in the protective circle Faustus
has drawn around himself.
Following the Renaissance opinion that,
while evil spirits may take whatever pleasing form they
please, they must still carry a physical defect by which
their unnatural origin can be recognised.
As Faustus makes the sign of the cross
– which seems physically to pain him – he
is overcome violently by retching motions and hideous
spasms. His body is invaded from within by the presence
of Lucifer.
Lying in exhaustion on the floor, he
calls to Mephistophilis in a weak voice, half pleading,
half crying. Mephistophilis enters and raises Faustus
to his knees and together they begin the journey of
Faustus’ twenty-four years of knowledge and power.
The entire action is presented as a vision
shared by both Mephistopholis and Faustus, or one given
to Faustus by Mephistophilis. What Faustus has done,
where he has been, what and who he has seen, the whole
24 years of his life is represented here, until the
final culmination of Faustus’ meeting with Helen.
When Faustus awakes, after his night
with Helen, it is the final day of his agreement with
Lucifer. Faustus implores Mephistophilis to release
him from the contract.
Upon Faustus - like a bird of prey upon
a carcass - Mephistophilis forces the vision of Hell
into Faustus’ mouth and eyes, exulting in celebration
over Faustus' misery.
Faustus tries to pray to God for forgiveness,
but his soul is so corrupted now that he cannot. The
clock begins to strike midnight. When it is finished,
the devils appear and drag Faustus down to Hell, while
Mephistophilis watches.
When Faustus has been taken, Mephistophilis
places the contract of Faustus upon the bare stone,
as if placing a holy relic upon an altar, and sets it
on fire. Leaving the image of the burning scroll to
symbolise the burning of Faustus’ soul in Hell.
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